Stefan typically blames Modernism for the devaluation of magnificence, and the suspicion that beautiful work won’t be taken seriously, or derided as merely decorative or industrial. This was seen through the Renaissance when the prevailing perception round magnificence was that it was based mostly on numbers “akin to the harmonies of music and the movements of the planets”. At the opposite finish is a far more romanticised notion, such as the Middle Ages’ view of beauty as part of the “divine order” or poet John Keats’ “magnificence is truth, fact beauty” from his Ode on a Grecian Urn.
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